My latest short story "The Night the Lights Came On"

Friday, July 3, 2015

Bradbury’s Influence Still True Today
Guest Post by Maria Jane

Photo by Alan Light
Ray Bradbury's ability to tell relatable tales centered around human reactions to the extraordinary has solidified the author's ranking as one of premier science fiction writers of all time. Interestingly enough, Bradbury himself didn't prefer the "science fiction" label, instead referring to himself as a fantasy writer, although some of his works offer commentary on the society in which he lived. The fact that Bradbury's works continue to inspire new generations of authors, illustrators, writers and filmmakers is a testament to his unique ability to transcend the limits of time and space and draw on universal themes that still capture the imagination today. 

The recurring themes in Bradbury's works revolve more around human reactions to what's going on around them rather than hard science, allowing for broad interpretation of those themes. While Fahrenheit 451 was originally inspired by the "Red Scare" of the 1950s, its central theme of government overreach is still relevant today. Something Wicked This Way Comes explores the eternal struggle of good vs. evil through its tale of a mysterious carnival owner who uses people's' desire for wish fulfillment to his advantage - illustrating the point that strings are often attached when something appears to be too good to be true. "The Illustrated Man," a collection of short stories, deals with the complexity of the relationship between humans and technology that's still relevant in a world where people have an increasing dependence on various devices. 

Bradbury often drew from his personal life experiences in his writings, which also provided commentary on the times in which he grew up. For instance, the author's periodic references to "Green Town, Illinois," based on Waukegan, Illinois, the town where he was raised, are used to illustrate the disappearance of traditional small-town America values. By using everyday scenarios, like the way in which the parents in "Zero Hour" originally dismiss their children's claims of conversing with invisible beings as nothing more than the innocence of imagination or how he taps into the teenage frustration of not being taken seriously by adults in "Fever Dream," Bradbury forms a connection with his audience by drawing from common experiences and reactions. 

The timeless themes in Bradbury's stories make such tales easily adaptable to new audiences. The ABC series The Whispers (check here for local listings) borrows from "Zero Hour" with its tale of mysterious beings unleashing their paranormal powers by exploiting the innocence of Earth's children. The comic book mini-series Shadow Show presents a collection of stories by 26 writers inspired by Bradbury's classic tales, a series praised by Stan Lee, the legendary comic book writer and former president of Marvel Comics. The stories echo Bradbury's recurring themes of playing on the emotions and reactions of characters faced with implausible "realities." Coincidentally, Bradbury is credited with helping to reintroduce the EC Comics brand of fiction to the public with The Autumn People, which featured comic adaptations of eight of the author's short stories. 

From the Star Wars movies and comics and the Harry Potter books and subsequent movies to TV shows like The X-Files and Lost, evidence of Bradbury's influence can be found in many of the stories that still entertain and delight audiences today. Bradbury himself once praised Steven Spielberg for his ability to blend fantasy and human emotion in movies like Close Encounters of the Third Kind and E.T. The admiration between the two men was mutual, as Spielberg lead an outpouring of praise for the author following his death. The works of Stephen King and Michael Crichton also echo themes found in many of Bradbury's classic tales - with King's Under the Dome and Crichton's Jurassic Park books and related movies serving as perfect examples of Bradbury's enduring influence. When discussing his legacy for the Paris Review, the author once summed up his approach to writing: "I write metaphors. Every one of my stories is a metaphor you can remember." 




This awesome article was written by Maria Jane. Click on the label Maria Jane below to find more articles on this website written by her.

Thursday, July 2, 2015

Buried in Books and Loving It


These are the books I'm currently reading:

  1. Decision Points by George W. Bush
  2. Sunstruck by Polenth Blake
  3. Save the Cat!: The Last Book on Screenwriting You'll Ever Need by Blake Snyder
  4. The Legend of Zelda: Hyrule Historia by Patrick Thorpe
  5. A Game of Thrones (A Song of Ice and Fire, #1) by George R.R. Martin
  6. If It's So Easy Why Isn't Everybody Doing It by Scott Welsh
  7. Nocturnal by Scott Sigler
  8. The Collective by Kenan Hillard
  9. Jack Kane and the Statue of Liberty by Michell Plested & J.R. Murdock
  10. Alive (The Generations Trilogy, #1) by Sigler, Scott


These are books I'm planning on reading this year. Let's see if I can squeeze them all in!

  1. Armada by Ernest Cline
  2. Go Set a Watchman by Harper Lee
  3. Dark Force Rising (Star Wars: The Thrawn Trilogy, Vol. 2) by Timothy Zahn
  4. The Devil's Only Friend by Dan Wells
  5. The Drawing of the Three  (Dark Tower book II) by Stephen King
  6. Finders Keepers by Stephen King
  7. Revival by Stephen King
  8. Mistborn: The Allow of Law by Brandon Sanderson
  9. The Cuckoo's Calling by J.K. Rowling
  10. The Diary of a Young Girl by Anne Franke
  11. The Name of the Wind by Patrick Rothfuss
  12. Theft of Swords by Michael J. Sullivan

What are you reading? I can always use more books on my to-read list :)

Wednesday, April 22, 2015

Dimensional Abscesses is Available!



Dimensional Abscesses is now available for purchase! I am so proud of my story in this book and I'm humbled to be alongside the other awesome authors published in this anthology. Go forth and pre order!

Purchase at:

Tuesday, April 14, 2015

Reading Habits



Between audiobooks, podcast novels, paperbacks and eBooks I'm currently reading a lot of books. I've always been like this. I usually have one or two main books I'm reading and then a few others I dip into every once in a while. Sometimes I'll open the Kindle app on my iPhone and read there. When I'm commuting I listen to audiobooks and podcast novels. At one of my jobs we have downtime and so I have a few paperbacks in my locker. You can always see what I'm currently reading by being my friend on Goodreads. I love using it to track what I'm reading, rate and review books, and see what others are reading.

How do you read? What's your preferred method? When? Where? What form?

My favorite way to read is by listening to an audiobook, but reading eBooks on my phone comes in at a close second. I love physical books. The way they look on my shelves, the way they smell - but honestly they feel very heavy and clunky in my hands now. I often read in bed lying down and a big fat fantasy novel makes my arms tired! My phone is very light and it's much easier to turn the page with one hand by giving the screen a tiny little tap. I love reading on my phone.

How about you? Thanks for stopping by!

Friday, April 10, 2015

Game of Thrones and Older Fantasy Influences
Guest Post by Maria Jane


As the smash hit HBO series Game of Thrones rolls up to its fifth season, it's a good time to take a second look at what scriptwriter David Benioff has described as "The Sopranos meets Middle Earth." Is the clamoring fan base invested now for its freshness and originality of concept, or are we simply retreading a well-worn tire? The Song of Ice and Fire series by author George R.R. Martin, on which the TV series is based, has a meticulous fan-base who have drawn parallels between it and other works. 

In brief, the story introduces the land of Westeros, where seasons can last for years. As the threat of a long winter begins to loom, King Robert selects Eddard Stark as his second in command after the passing of his former hand Jon Arryn. Stark soon uncovers a possible conspiracy that snuffed out Arryn and might be aiming for the king next. Soon after King Robert's death, a power struggle for the throne ensues, with various relatives making claims. The vast empire breaks up into squabbling factions, and lots of intrigue spiced up with the occasional dragon happens. 

When it's all said and done, can any work of high fantasy be taken for the wholly original one? We've been doing this at least since the tales of King Arthur, and even those borrowed from Welsh poetry and Breton history. If it has a sword, a castle, a king, or a dragon in it, it has roots we could probably trace to the beginning of civilization. In the case of Song of Ice and Fire, the sprawling epic series, by the author's own admission, borrows from both fictional and real-life sources. 

The idea of a parallel world with slightly different rules borrows from Tolkien's Lord of the Rings setting, Middle Earth. Quite a bit of the rip-roaring action combined with Medieval sexual politics borrows from Howard's Conan series and its subsequent film Conan the Barbarian (which is also being screened this month on DirecTV’s El Rey network). Of course, inspiration from Arthurian legend means that T.H. White gets the nod of recognition coming straight from the Disney classic The Sword in the Stone. Martin has also mentioned Tad Williams' Memory, Sorrow, and Thorn series. Martin has also praised the works of historical fiction authors including Bernard Cornwell, Thomas B. Costain, Frank Yerby, Sharon Kay Penman and Philippa Gregory; his interest, he has said, is perked by these authors showing the Middle Ages in gritty reality as opposed to Disney fantasy. 

The difference here is one of separations from reality. If your story concerns itself entirely with whether a maiden will or will not get to kiss a prince with the aid of a fairy godmother and some singing mice, that's high fantasy. If your story is more concerned with day to day lives including the frank discussion of sex and pragmatic matters of logistics and plumbing in eighteenth century castles, plus people dying in droves, that's "low fantasy." It could be said that low fantasy is to high fantasy what cyberpunk is to science fiction. In fact, the same distinction can be made in any genre; Westerns can be divided into both romanticized tales of heroic gunslingers and grungy historic fiction of the Antebellum era. 

In addition to fictional works, Martin alludes to many historical inspirations. The vast, sprawling family trees that sometimes intertwine are a famous feature of many historic dynasties from Feudal Europe to Imperial China. There are influences from religion and mythology, both Pagan and Abrahamic. Even the Red Wedding scene mirrors the actual event of the Glencoe Massacre of 1692. And the Great Wall of China, it turns out, isn't the only famous barrier protecting a kingdom; Martin based the wall that protects Westeros on the Hadrian Wall of Scotland. 

Again, no substantial work of fiction set in the Medieval era can be wholly original. It's the most well-trod path in fiction; knights and chivalry have been around far longer than cowboys and sheriffs, who in turn have been well mythologized before the era of hackers and mad scientists got established. George R.R. Martin, like Tolkien and Howard before him, brings us his unique view of a very familiar genre, which is what makes it so special. 




This awesome article was written by Maria Jane. Click on the label Maria Jane below to find more articles on this website written by her. This is the first article she's had published on this site but it's likely that there are more articles now at the time you're reading this :)